Whitby Jet.

I love Whitby Jet – it’s dark, gothic beauty has real character and stories to tell. Over the last 300 years, it has mainly been used for mourning jewellery, especially favoured by the Victorians. Whitby Jet was lightweight and easy to carve, so lent itself perfectly to making jewellery to memorialize lost loved ones. I often use recycled and reclaimed antique Whitby Jet beads for our vintage recycled bead earrings as Whitby Jet jewellery is a lovely thing to collect and wear. So, here’s a few things that are good to know if you want to do that…

What is Whitby Jet?

Whitby Jet is an organic material that is naturally formed from ancient fossilised wood such as the Monkey Puzzle & Chile Pine. Whitby Jet is also know as Black Amber and is 182 Million years old. It is formed when prehistoric wood gets washed up into a body of water and becomes covered by organic sediment. The pressure of the water and sediment over millions of years compacts the wood and slowly transforms it into what we know as Whitby Jet.

The layers of jet are usually trapped deep below the earth’s surface, in the layers of sedimentary rock, but, there are a few, rare places where those layers or seams of jet are found on or near the surface and Whitby is one of them. Jet is also found in small areas in Northern Spain, Poland, Ezurum in Turkey and in the USA in Utah, Colorada and New Mexico.

History of Whitby Jet

Whitby jet was discovered, mined and carved in Britain from the Neolithic period onwards and often appeared as beads and decorations, it was very popular with Romans in the Third centuary who felt it had magical protective & healing properties and used it for a variety of decorative objects, including hair pins.

Whitby Jet fell in and out of fashion, but it’s use continued, mainly as monks rosery beads. In 1808 a boat captain observed two men in Whitby hand carving beads and crosses from Whitby Jet. While the men, John Carter and Robert Jefferson, used files and handmade tools to work Whitby Jet, Captain Tremlett, had experience turning amber on a lathe to produce pieces, wondered if the same could be done with Whitby Jet.

With the help of a turner, Mathew Hill, they successfully lathed Whitby Jet, the Captain hired him as a jet turner and the first jet workshop in Whitby was started. The light-weight nature of Whitby jet and it’s sombre apperence combined with the sadly comon occurance of death meant that the production of mourning jewellery ensured that the industry grew. By 1850, there were more than 50 Jet workshops in Whitby, producing beads, mourning jewellery and other items & The Great Exhibition of 1851 presented Whitby Jet to the world.

In 1861 Prince Albert, Queen Victoria’s husband died and she immersed herself in full, deep mourning, including Whitby Jet mourning jewellery. Immediately, Whitby jet became really fashionable, it was so popular that the demand for it rapidly out-stripped the limited supply that Whitby could produce.

At one point, Whitby Jet production meant work for over 1,400 people and produced an annual profit of over £100,000, which is approximately three million pounds by today’s standards.

As a result of the sky-rocketing demand, French Jet or Parisian Jet was developed to inexpensively re-produce the exclusive and expensive Whitby Jet, French Jet was Black glass and it allowed the mass-production of mourning jewllery. Whitby Jet & French Jet remained popular until the the 1920’s by which time it was mainly used as beads in flapper necklaces – the long waist-length necklaces worn by flapper girls during the roaring Twenties.

French jet jewellery coming onto the market, combined with cheaper imported Spanish jet, lead to the collapse of the industry by the mid-1900s.

Collecting & Identifying Whitby Jet.

In recent years Whitby Jet has enjoyed renewed interest and there are a number of Jet workshops in Whitby. There is also a strong interest in authentic antique Whitby Jet jewellery – and its substitutes.

When collecting jet it’s useful to know exactly what you’re buying, especially as antique Whitby Jet pieces can hold their value quite well, but, only if they are actually Whitby Jet. So the question is how do identify Whitby Jet.

Whitby Jet is a deep Black colour, it is light weight and warm-ish to the touch, it is shiney, glossy and smooth. The microstructure of Whitby Jet, resembles the original wood, and this can be seen under 120× or greater magnification. The detailing carved into the piece can help identify if it is genuine jet. Whitby Jet usually has shallow relief, simple carved details, such as straight carved lines, as it can shatter when the detailing is too fine. Whitby Jet will also either float or sink slowly when placed in water.

One great way to identify Whitby Jet is being to clearly identify when a piece is not Whitby Jet and what it might be.

Modern Plastic – will be very glossy, very light weight and it may have seams and creases from the pressing process. Pieces of imitation jet in plastic are often very intricate with very fine detailing – rarely seen in genuine Whitby Jet as it fractures when it is carved into very fine details.

Spanish (soft) Jet – quite a lot of soft jet was imported into the UK during the late 1800’s and early 1900’s. However, as is was softer than Whitby Jet much of it has cracked and broken over the years and so it is rare to find it. Soft jet will have a cracked or crackled appearance.

Black glass – known as French Jet, Parisian Jet or Vauxhall Glass was commonly used as a Whitby Jet substitute during the peak of jet’s popularity. Glass feels heavy and cool to the touch and Whitby Jet is not, so if the piece is slightly weighty and cool to the touch it is French Jet (glass) not Whitby Jet. Also, if you carefully tap a piece of Whitby Jet against your teeth you’ll hear a soft tap, but if tap French jet or other glass beads against your teeth you’ll feel or hear a sharped, harder sound (please be very gentle).

Ebonite or Vulcanite (an early type of rubber) was also used as a Whitby Jet substitute and it looks and feels very similar to jet, but, it fades and loses its shine over time, so if you piece is not Jet Black and shiney (yes, this is where that phrase comes from) then it’s not Whitby Jet.

Anthracite (hard coal) is similar to Whitby Jet, and has been used to imitate it. When rubbed against unglazed porcelain, Anthracite will leave a Black mark and Whitby Jet will leave a chocolate Brown mark.

Bog Oak can be easily mistaken for Whitby Jet, but, Bog Oak has a visable wood grain when you look closely and the surface won’t be very polished, unlike the smooth, lustrous appearance of Whitby Jet.

Carved horn can be also look very similar in Whitby Jet. It also feels smooth and lightweight too. However, dyed horn, will appear slightly translucent along its edges when held up to the light.

Also, in some cases Whitby Jet off-cuts were mixed with glue and molded into jewellery but Whitby Jet is smooth and shiney, so if the piece is dulled, rough, mottled or fragmented in appearence, it is not solid Whitby jet.

Caring for Whitby Jet.

Whitby Jet is beautiful to collect and wear and keeping it looking lovely is easy. To clean Whitby Jet, simply wash carefully with warm water and a mild detergent, (don’t soak the piece in water), rinse with fresh water and pat dry with a soft towel and leave to air dry fully. Once it’s dry, give it a gentle wipe with a tiny amount baby oil on a piece of cotton wool, to bring back its high polish. Don’t forget to store your Whitby Jet jewellery separately from other items, so that it doesn’t get scratched or damaged.

Want to Know More About Whitby Jet?

I hope you find this information useful and it’s a good starting point for learning about Whitby Jet and if you’d like to find out more then this book is a great read.

Whitby Jet book.
Please note – this blog contains affiliate links and if you purchase through them, I receive a small commision, that helps me pay my bills, so thank you for your support!

Thank you, have a lovely day & enjoy!

Sarah x

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The Tenant of Wildfell Hall. By Anne Bronte – A Review.

The Tenant of Wildfell Hall is Anne Bronte’s most well know work, but as Anne is often referred to as the least known of the Bronte Sisters, it is often overlooked, seemingly obscured by the fame and brilliance of Charlotte’s Jane Eyre and Emily’s Wuthering Heights. Despite this The Tenant of Wildfell Hall remains one of my favourites and I’ve just read it (again), so here’s what I thought.

The Tenant of Wildfell Hall by Anne Bronte.

Please note that this blog contains affliate links, so if you purchase throgh them I receive a (very) small commission, it helps pay my bills, so thank you!

Warning: if you haven’t read it, this is a spoiler alert!

Anne writes her story from the perspective of a ‘gentleman farmer’ who is telling the story to his brother-in-law. Hummm – It’s an interesting storytelling device, also used by Emily Wuthering Heights and as they were published together it makes me wonder if they did this on purpose and if so, then was it a bit of a competition amongst the sisters, to each create a story using this device?

Anyway, I digress….

The story is set in a small rural community and starts with the arrival of the widowed; Mrs Graham and her little boy, as the tenants of the isolated and dilapidated Wildfell Hall. I love the name of the house, it is so gothic and evocative. Anne’s depiction of the hall and it’s surroundings is everything you could wish for in a forbidding and unwelcoming environment and she’s drawn heavily on the bleak Yorkshire landscape of her home.

The unwelcoming environment mirrors Mrs Graham’s outward demeanour as she repels all attempts to welcome her into the local community. She works hard to maintain distance and her privacy, as she raises her son and paints pictures for a living. Despite all her attempts to maintain her seclusion, she & Mr Markham become friends. Anne clearly couldn’t resist her love of the sea; one most light-hearted parts of the story is a happy visit to the coast for Mrs Graham and her new friends.  

As the story reaches crisis, Mr Markham & Mrs Graham become aware that they’re in love and Mrs Graham reveals her past and why their love is doomed. Anne uses Mrs Graham’s diary, which she gives to Mr Markham by way of explanation, to give us this earlier part of her story.

The end of the tale gives an ending favoured by all the Bronte sisters and rightly so! Anne gives us a well-paced and interesting story of deception, lost innocence and ultimately love. The cast of characters are all well drawn and realistic and their internal struggles and contradictions she depicts are timeless. The plot has some very neat little twists and turns and the story is one that we recognise just as much today as Anne did when she wrote it.

Girl meets boy, she falls for his ‘bad boy’ charms and believes she can change him, they marry. A few years and a child later, his continued ‘bad boy’ bad habits causes the relationship to turn toxic & she finds herself as a single mum, trying to raise her child and keep body and soul together.

The way Anne handles the relationship between Mrs Graham and her husband really reveals the strength of Mrs Graham’s character – she’s really strong! She recognises her errors, decides what is right for her and her child and then despite many challenges, she enacts her plans.

Mr Markham’s character is also well written, in counter-point to that of Mrs Grahams husband, they are both flawed, but, Mr Markham choses to change and improve himself and his behaviours, whereas Mrs Graham’s husband does not. The moral of the story – we cannot change others, but we can change ourselves!

Anne’s The Tenant of Wildfell Hall is a fantastic read, not too long or wordy, but with plenty of substance and there is a wealth of subtlety in the way she draws her relationships, which is as strong as that displayed by her sisters in their more famous novels!

If you enoyed The Tenant of Wildfell Hall, you could also try Anne’s other novel Agnes Grey and there’s also a blog post on Anne herself, she was an amazing woman!

Ane’s other stories are equally great reads and not to be missed, I really recommend them!

Thanks & Enjoy!

Sarah x

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Handcrafted Eco-friendly Earrings and Things…

Besides being an avid fan of vintage literarture (Jane Austen, The Bronte Sisters, Wilkie Collins, Dickens, Sir Arther Colan-Doyle Agatha Christie and many more) I love creating things and recycling things. I believe that creating is vital to our wellbeing and so most days I try to make something (some days it’s just a sandwich!)

I also love the idea of recycling and consuming in a way that is responsible and environmentally friendly. Reclaiming old, unused things, upcycling and recycling to create something new that can be used and treasured and given an new life and purpose is a joyful & eco-friendly experience!

I really love beads and buttons and it’s always been a massive treat when my dad brought me a tin of old beads and buttons home from the carboot sale. I can lose hours rummaging and sorting through them and basking in their faded beauty!

My love of all things antique and vintage lead me to start Revive Vintage Design: making jewellery, accessories and homewares from reclaimed and recycled retro, vintage and antique materials.

At present there is a range of found objects jewellery and accessories. Keyrings or bag charms made from the ecelectic, pretty, vintage objets found in the bead and button tins over the years. Also, some sweet cushion covers made from recycled and reclaimed vintage and antique fabrics, hand-embroidered linens and patchwork pieces.

Finally, there’s an big range of earrings made from antique, vintage & retro reclaimed and recycled beads. I use loads of different types of beads, including: Antique Whitby Jet, 1920’s Jade, Art Deco glass, 1950’s Lucite & Bakelite, 1980’s & 1990’s ceramic & recycled paper.

The whole range is lovingly, hand made by my family & I, here in Yorkshire. I’ll add our new recycled vintage earrings to this page, so please come and take look.

Thanks & have a lovely day!

Sarah x

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Bronte Gifts!

I know it’s the New Year and I’m sure this is the time for retrenching ones expenditure after the excesses of Yultide, buuuuut…… it may also be the time to treat yourself, so come and check out this range of quirky gifts ideal for Bronte fans – you know who you are…..

Also they’re all designed in the Bronte’s home county of Yorkshire!

Bronte Sisters T-shirt & hoodies for all Bronte fans – a cute t-shirt featuring the names of the brilliant Bronte Sisters & their brother, it’s 100% Cotton, features a curley font and comes in a wide range of colours and sizes, you can have this design as a t-shirt or a hoody, take your pick!

Bronte t-shirt, comes in a range of colours and sizes.

Bronte sweatshirt – a very cool & comfy sweatshirt featuring the legendary literary surname, again in a range of colours and sizes. It’s the Brontes, with a sleek modern vibe!

Sleek modern Bronte sweatshirt

Gone To The Heather Bracelet – a sweet bracelet featuring the phrase that defined Emily Bronte “gone to the heather” and also the inspiration for this blog. The bracelet is in Sterling Silver and comes in a range of finishes, with a choice of bracelet strap styles and lengths.

Lowood School Bag – a cool large, thick, organic cotton tote bag, featuring the phrase Property of Lowood Insitution. A really useful gift for any Bronte fan, especially Charlotte Bronte fans and Jane Eyre fans.

I hope you enjoy this selection and maybe even find a great gift for a Bronte fan! There are more Bronte gifts available, so go take a peek!

Thanks & have a wonderful day!

Sarah

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What’s In A Name? The Bronte Pen Names …

(Almost) everyone has heard of the Bronte Sisters, but it’s only when we dig a little deeper into their story that we find that they each used a nom de plume and I will be exploring this a little more in this post.

The Bronte Sisters are now household names, but, before they found fame with their writing, they enjoyed the anonymity of being unknown. Charlotte Bronte famously wrote to her publisher “What author would be without the advantage of being able to walk invisible?” 

When in 1846, Charlotte, Emily and Anne Bronte took the step of publishing a book of poetry together, they did so, using pen-names. They used the names Currer, Ellis & Acton Bell respectively, each keeping their initial from their first names and using the surname Bell. It is believed that they took the name Bell from Mr Bell-Nicholls a curate that had come to Haworth some months earlier to work for their father and later married Charlotte.  

Later when Emily published Wuthering Heights, Anne published The Tennant of Wildfell Hall and Charlotte publish Jane Eyre they continued to use their pen names.

The pseudonyms served them well as the storm of Victorian outrage shook the country over the ‘Bell Brothers’ novels. Meanwhile the Bronte Sisters were safe at home in Yorkshire, with their peace and privacy intact. It must have been wonderful to the retiring sisters, who very much enjoyed their peaceful existence on the edge of the moors.   It must have also been really quite entertaining for them to listen to the gossip and read of the chaos that their hidden identities had caused in the far-away social and literary worlds and to know the secret. 

So why did they reveal who they really were? Back in 1847, when Charlotte, Emily and Anne were trying to get their novels published, Thomas Newby agreed to publish Emily’s Wuthering Heights and Anne’s Agnes Grey – they experienced some modest success. However, when George Smith published Charlotte’s Jane Eyre it was an instant hit and the press quickly made the connection between the Bell brothers. Thomas Newby saw his chance to make more money from Anne’s & Emily’s books and started the rumour; that the notorious Bell brothers were not three authors, but one person. The press ran with the story and very soon Charlotte’s publisher, George Smith became concerned and wrote to Charlotte (Mr Currer Bell) asking her to confirm that she was not also Mr Acton Bell and Mr Ellis Bell.

Charlotte and Anne set off for London, to put the matter straight (Emily refused to go, she hated leaving home and it did not need all three of them). 

When they arrived at George Smith’s office, they gave him the shock of his life and a story to dine out on for eternity. He arrived to be told that Messers Bell were waiting in his office and when he entered, he found two small, simple, provincial women there. Charlotte showed him the letter he’d sent to Mr Currer Bell and he asked where she got it – “you sent it to me” she said and the deception was over.  

I am in agreement with the Bronte sisters to walk invisible is a wonderful thing, we should enjoy our anonymity and their wonderful works!

I hope you enjoy this little dip into the Bronte’s world.

Thanks & have a really lovely day!

Sarah.

P.S. If you want a little bit more on the life of the Brontes then check out my post: A Potted History of The Brontes.

If you love the Bronte Sisters, check out our selection of Bronte inspired jewellery & clothes…..

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